{"id":540,"date":"2017-02-02T11:00:56","date_gmt":"2017-02-02T10:00:56","guid":{"rendered":"http:\/\/villesallantvers.org\/lig_mrs_lig\/?p=540"},"modified":"2018-02-04T11:45:19","modified_gmt":"2018-02-04T10:45:19","slug":"duchamp-rome-006-2","status":"publish","type":"post","link":"https:\/\/villesallantvers.org\/lig_mrs_lig\/?p=540","title":{"rendered":"#Duchamp @ #Rome 006"},"content":{"rendered":"<p><strong><i>Duchamp \u00e0 Rome<\/i>, aujourd\u2019hui\u00a0<\/strong><\/p>\n<p>Mais il y a autre chose, derri\u00e8re ce mythe de la transparence dont Duchamp et Andr\u00e9 Breton furent les premiers \u00e0 parler, et que ni lui ni le peintre ne pouvaient conna\u00eetre \u00e0 leur \u00e9poque ; autre chose, de nos jours, puisque la transparence est devenue l\u2019une des armes des soci\u00e9t\u00e9s du contr\u00f4le dont le philosophe Deleuze nous a appris \u00e0 nous m\u00e9fier. Autre chose dont le passant de <i>Duchamp \u00e0 Rome <\/i>ne peut faire l\u2019\u00e9conomie et qui a trait au fait de passer \u00e0 travers les murs.<\/p>\n<p>Puisque l\u2019artiste et l\u2019\u00e9crivain partagent maintenant ce mythe de la transparence avec le politique et le militaire et que nous avons d\u00e9sormais les moyens technologiques de le faire. Ainsi, des photographies des oeuvres de l\u2019artiste am\u00e9ricain Gordon Matta-Clark, pr\u00e9sentant des ouvertures faites \u00e0 l\u2019int\u00e9rieur de maisons et d\u2019immeubles, et qui ont servi comme illustration th\u00e9orique \u00e0 Tsahal, l\u2019arm\u00e9e isra\u00e9lienne, lors de sa pr\u00e9paration aux combats de rues dans les villes cisjordaniennes \u00e0 la fin des ann\u00e9es 90 . L\u2019on passe alors d\u2019un art de la transgression \u00e0 un usage guerrier de celui-ci et vid\u00e9 de sa substance. Eyal Weizman \u00e9crit \u00e0 ce propos, dans <i>\u00c0 travers les murs. Architecture de la nouvelle guerre urbaine <\/i>: \u00ab \u00c0 l\u2019Otri [un centre de formation de l\u2019arm\u00e9e isra\u00e9lienne], on montrait souvent dans les expos\u00e9s les \u00ab b\u00e2timents coup\u00e9s\u00a0\u00bb de Matta-Clark, en regard des photographies des br\u00e8ches que les FDI avaient ouvertes dans les murs palestiniens. \u00bb L\u2019art, m\u00eame le plus anarchiste et pacifiste, sert d\u00e9sormais \u00e0 des fins de guerre coloniale.<\/p>\n<p>Il s\u2019agira donc, dans la trame m\u00eame de <i>Duchamp \u00e0 Rome<\/i>, de donner \u00e0 telle architecture guerri\u00e8re un sens esth\u00e9tique, lire \u00e0 nouveau, \u00e0 travers les yeux de Duchamp, de cet essai noir de De Quincey, <i>De l\u2019assassinat consid\u00e9r\u00e9 comme un des Beaux-Arts<\/i>, dont il \u00e9tait friand : soit r\u00e9\u00e9crire, en filigrane du tableau de Duchamp projet\u00e9 ici, les tactiques de guerres urbaines modernes transformant la syntaxe des villes, comme s\u2019il s\u2019agissait de la novellisation d\u2019un film de cin\u00e9ma.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_552\" style=\"width: 498px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/villesallantvers.org\/lig_mrs_lig\/?attachment_id=552\" rel=\"attachment wp-att-552\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-552\" class=\"size-medium wp-image-552\" src=\"https:\/\/i0.wp.com\/villesallantvers.org\/lig_mrs_lig\/wp-content\/uploads\/2017\/02\/Gordon_Matta-Clark-488x333.jpg?resize=488%2C333\" alt=\"Gordon Matta-Clark, Paris, 1975\" width=\"488\" height=\"333\" srcset=\"https:\/\/i0.wp.com\/villesallantvers.org\/lig_mrs_lig\/wp-content\/uploads\/2017\/02\/Gordon_Matta-Clark.jpg?resize=488%2C333&amp;ssl=1 488w, https:\/\/i0.wp.com\/villesallantvers.org\/lig_mrs_lig\/wp-content\/uploads\/2017\/02\/Gordon_Matta-Clark.jpg?w=736&amp;ssl=1 736w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><\/a><p id=\"caption-attachment-552\" class=\"wp-caption-text\">Gordon Matta-Clark, Paris, 1975<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_553\" style=\"width: 488px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/villesallantvers.org\/lig_mrs_lig\/?attachment_id=553\" rel=\"attachment wp-att-553\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-553\" class=\"size-medium wp-image-553\" src=\"https:\/\/i0.wp.com\/villesallantvers.org\/lig_mrs_lig\/wp-content\/uploads\/2017\/02\/Naplouse-478x333.jpg?resize=478%2C333\" alt=\"B\u00e2timent, Ville de Naplouse, Cisjordanie. 2002\" width=\"478\" height=\"333\" srcset=\"https:\/\/i0.wp.com\/villesallantvers.org\/lig_mrs_lig\/wp-content\/uploads\/2017\/02\/Naplouse.jpg?resize=478%2C333&amp;ssl=1 478w, https:\/\/i0.wp.com\/villesallantvers.org\/lig_mrs_lig\/wp-content\/uploads\/2017\/02\/Naplouse.jpg?w=738&amp;ssl=1 738w\" sizes=\"auto, (max-width: 478px) 100vw, 478px\" \/><\/a><p id=\"caption-attachment-553\" class=\"wp-caption-text\">B\u00e2timent, Ville de Naplouse, Cisjordanie. 2002<\/p><\/div>\n<p><a href=\"https:\/\/www.facebook.com\/Protee?fref=ts\">Alicibiade Copyleft<\/a>\u00a0&amp;\u00a0<a href=\"https:\/\/www.facebook.com\/Xavier.vav\">XavierL<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Duchamp \u00e0 Rome, aujourd\u2019hui\u00a0 Mais il y a autre chose, derri\u00e8re ce mythe de la transparence dont Duchamp et Andr\u00e9 Breton furent les premiers \u00e0 parler, et que ni lui ni le peintre ne pouvaient conna\u00eetre \u00e0 leur \u00e9poque ; autre chose, de nos jours, puisque la transparence est devenue l\u2019une des armes des soci\u00e9t\u00e9s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"#Duchamp @ #Rome 006 - Txt : @BrunoLemoine - Vdo : @XavierLeton - Realisation : VillesAllantVers 2017","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[66,60,62,1],"tags":[63,64,65,7],"class_list":["post-540","post","type-post","status-publish","format-standard","hentry","category-duchamparome","category-rome","category-transitoire-observable","category-vdo","tag-duchamp","tag-rome","tag-transitoire-observable","tag-villesallantvers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p73vO5-8I","_links":{"self":[{"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=\/wp\/v2\/posts\/540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=540"}],"version-history":[{"count":8,"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=\/wp\/v2\/posts\/540\/revisions"}],"predecessor-version":[{"id":556,"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=\/wp\/v2\/posts\/540\/revisions\/556"}],"wp:attachment":[{"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/villesallantvers.org\/lig_mrs_lig\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}